Dogon Figure with Protective Amulets

Dogon — Mali

A seated figure of inward compression and accumulated surface, Dogon.

Description

The figure is structured within a closed, self-contained volume. Legs are drawn upward and held tightly against the torso, while the arms cross forward to clasp the knees, fixing the composition at its centre. No element extends beyond the perimeter; the form is held under constant tension.

The head projects forward on a cylindrical neck, introducing a controlled counterpoint to the otherwise inward posture. Facial features are sharply defined: wide, alert eyes beneath incised brows; a slightly open mouth revealing teeth; and a finely striated triangular beard extending from the jaw. Ears project laterally as disc forms with cylindrical extensions below, establishing a clear lateral articulation.

The carved structure is enveloped in a fitted leather covering, stitched and drawn tightly across the torso and shoulders. Attached to this surface are multiple amulet packets — rectangular elements distributed across the body and head covering — forming a dense, irregular field that interrupts the continuity of the wood. The leather functions as a second skin, integrated rather than applied.

A bound fibre bundle descends centrally between the crossed arms, held within the enclosed space of the composition. Below, the feet are set flat and forward, with clearly articulated toes anchoring the figure to the ground plane.

Surface is layered: beneath, a dark, compact patina; above, the accumulated materials of use. Wear is consistent with age and handling across both wood and applied elements.

Context

Dogon figures of this type operate within protective and mediating frameworks, where carved form is extended through the addition of materials carrying specific charge.

The work is not static. The wooden structure establishes the form, but the attached leather and amulets record ongoing activation. The figure remains formally contained while its surface accumulates function.

Examples preserving both structural clarity and intact applied elements remain uncommon.

Provenance

From the Felice Maffei Collection

Acquired in Mali, 1985

Available on private enquiry.